Hi, I’m Jagrat - Musician, Product designer & PM.
I want to help build the future of music at Suno.
Here’s why
Intersection of my lifelong passions.
- Hobbyist musician since age 5 with an intent to go pro until I turned 18.
- Passionate and fascinated by tech since my Windows 95 computer.
- Most of my projects at Parsons School of Design naturally ended up being music apps, including my thesis.
Once in a multi-decade opportunity
With Suno Studio for pros, Suno v4.5 for everyone, and a self-owned distribution layer, this is one of those rare inflection points where a team genuinely shapes culture!
Co-creating the instrument on which the next generation of hits will be composed (goosebumps)
A new instrument doesn’t just enable new sounds but a new way of thinking. In other words, new perspectives to compositions, genres and more.
Unlocking sonic capability for those who’ve never made music before
Millions of people have taste but no musical training. Unlocking that creates a different culture.
The Team
I’ve had an eye on Suno since v2, and watching what the team’s achieved by v5 has been remarkable. Its also great to see several members have experience from design-forward environments like Snap.
AREAS I’m PARTICULARLY INTERESTED IN
ONE
Studio
Being a musician myself, Studio’s the most exciting part of Suno for me. What I’m most interested in is how Studio can evolve for musicians who want a bit more control. Generative audio is incredible for exploration, and that spontaneity is the heart of Suno. I’m curious how Studio might offer gentle ways to guide the model when someone has a clearer idea in mind, without losing that playful generative feel.
TWO
An Individuality Engine
Every artist’s identity comes from years of decisions: what they choose to listen to, skip, imitate, or reject. How does one translate those micro-decisions (taste data) into a model that preserves individuality instead of standardising it?
THREE
Post WMG deal: Remixing & more
Zedd recently said that one of the fastest ways for a musician to get noticed is by reshaping a song everyone already knows. For non-musicians, that same familiarity is what makes creation fun in the first place. Giving people simple ways to remix a track, tweak its vibe, or adjust the lyrics could make AI music feel intuitive and playful, without having to start from scratch.
FOUR
Solving sonic vocabulary/education
People often know what they like sonically but don’t have a vocabulary for it - even musicians. A tool that teaches users how to describe sound, could massively expand creative ability and unlock better prompting.
FIVE
API Play
Beyond new product categories, an API could bring Suno’s creation tools directly into the places everyday users already make content like YouTube, Instagram, or TikTok. It’s a natural way to reach non-musicians who already need music for their videos, introduce them to AI-generated tracks in a familiar setting, and ultimately send more confident creators back to Suno when they want to generate music specifically.
SIX
Real-time collaboration
Figma showed how transformative real-time co-editing can be. Music still lacks that. No DAW lets collaborators write, arrange, and refine the same track simultaneously without file-sharing headaches. A real-time layer would make remote sessions natural and help ideas move at the speed of conversation.
About me
Over eight years in product design and two in product management, building zero to one products.
Strategic Mindset: PM + Design
As someone who can drive a product end to to end - from vision to protoype, distill a vision into a roadmap/feature set, design it, vibe code a prototype and get feedback quickly, founders have often relied on me running my own charter a PM+Designer.
High Ownership Environements
All of my roles, from Haptik to HackerRank, have been high-ownership ones where one takes responsibility end to end. That’s where I thrive the most too.
Music Making Experience (LogicPro)
I spent about a year making music full-time, teaching myself Logic Pro and songwriting, and ended up creating 17 songs and demos. I also play keys and acoustic guitar, so I understand a musician’s workflow and the frustrations that come with it.
Exactly 10 years ago
2015 - Shipped my first music app.
2025 - Hoping to help shape how the world makes and hears music.
I’d Love An Opportunity to Contribute
www.jagratdesai.com
jagratdesai.work@gmail.com
http://linkedin.com/in/jagrat/
Every application deserves a soundtrack
Hi, I’m Jagrat - Musician, Product designer & PM.
I want to help build the future of music at Suno.
Here’s why
Intersection of my lifelong passions.
- Hobbyist musician since age 5 with an intent to go pro until I turned 18.
- Passionate and fascinated by tech since my Windows 95 computer.
- Most of my projects at Parsons School of Design naturally ended up being music apps, including my thesis.
Once in a multi-decade opportunity
With Suno Studio for pros, Suno v4.5 for everyone, and a self-owned distribution layer, this is one of those rare inflection points where a team genuinely shapes culture!
Co-creating the instrument on which the next generation of hits will be composed (goosebumps)
A new instrument doesn’t just enable new sounds but a new way of thinking. In other words, new perspectives to compositions, genres and more.
Unlocking sonic capability for those who’ve never made music before
Millions of people have taste but no musical training. Unlocking that creates a different culture.
The Team
I’ve had an eye on Suno since v2, and watching what the team’s achieved by v5 has been remarkable. Its also great to see several members have experience from design-forward environments like Snap.
AREAS I’m PARTICULARLY INTERESTED IN
ONE
Studio
Being a musician myself, Studio’s the most exciting part of Suno for me. What I’m most interested in is how Studio can evolve for musicians who want a bit more control. Generative audio is incredible for exploration, and that spontaneity is the heart of Suno. I’m curious how Studio might offer gentle ways to guide the model when someone has a clearer idea in mind, without losing that playful generative feel.
TWO
An Individuality Engine
Every artist’s identity comes from years of decisions: what they choose to listen to, skip, imitate, or reject. How does one translate those micro-decisions (taste data) into a model that preserves individuality instead of standardising it?
THREE
Post WMG deal: Remixing & more
Zedd recently said that one of the fastest ways for a musician to get noticed is by reshaping a song everyone already knows. For non-musicians, that same familiarity is what makes creation fun in the first place. Giving people simple ways to remix a track, tweak its vibe, or adjust the lyrics could make AI music feel intuitive and playful, without having to start from scratch.
FOUR
Solving sonic vocabulary/education
People often know what they like sonically but don’t have a vocabulary for it - even musicians. A tool that teaches users how to describe sound, could massively expand creative ability and unlock better prompting.
FIVE
API Play
Beyond new product categories, an API could bring Suno’s creation tools directly into the places everyday users already make content like YouTube, Instagram, or TikTok. It’s a natural way to reach non-musicians who already need music for their videos, introduce them to AI-generated tracks in a familiar setting, and ultimately send more confident creators back to Suno when they want to generate music specifically.
SIX
Real-time collaboration
Figma showed how transformative real-time co-editing can be. Music still lacks that. No DAW lets collaborators write, arrange, and refine the same track simultaneously without file-sharing headaches. A real-time layer would make remote sessions natural and help ideas move at the speed of conversation.
About me
Over eight years in product design and two in product management, building zero to one products.
Strategic Mindset: PM + Design
As someone who can drive a product end to to end - from vision to protoype, distill a vision into a roadmap/feature set, design it, vibe code a prototype and get feedback quickly, founders have often relied on me running my own charter a PM+Designer.
High Ownership Environements
All of my roles, from Haptik to HackerRank, have been high-ownership ones where one takes responsibility end to end. That’s where I thrive the most too.
Music Making Experience (LogicPro)
I spent about a year making music full-time, teaching myself Logic Pro and songwriting, and ended up creating 17 songs and demos. I also play keys and acoustic guitar, so I understand a musician’s workflow and the frustrations that come with it.
Exactly 10 years ago
2015 - Shipped my first music app.
2025 - Hoping to help shape how the world makes and hears music.
I’d Love An Opportunity to Contribute
www.jagratdesai.com
jagratdesai.work@gmail.com
Every application deserves a soundtrack
PS: I used a YouTube link instead of embedding directly from Suno so the lyrics display while the song plays.
Hi, I’m Jagrat - Musician, Product designer & PM.
I want to help build the future of music at Suno.
Here’s why
Intersection of my lifelong passions.
- Hobbyist musician since age 5 with an intent to go pro until I turned 18.
- Passionate and fascinated by tech since my Windows 95 computer.
- Most of my projects at Parsons School of Design naturally ended up being music apps, including my thesis.
Once in a multi-decade opportunity
With Suno Studio for pros, Suno v4.5 for everyone, and a self-owned distribution layer, this is one of those rare inflection points where a team genuinely shapes culture!
Co-creating the instrument on which the next generation of hits will be composed (goosebumps)
A new instrument doesn’t just enable new sounds but a new way of thinking. In other words, new perspectives to compositions, genres and more.
Unlocking sonic capability for those who’ve never made music before
Millions of people have taste but no musical training. Unlocking that creates a different culture.
The Team
I’ve had an eye on Suno since v2, and watching what the team’s achieved by v5 has been remarkable. Its also great to see several members have experience from design-forward environments like Snap.
AREAS I’m PARTICULARLY INTERESTED IN
ONE
Studio
Being a musician myself, Studio’s the most exciting part of Suno for me. What I’m most interested in is how Studio can evolve for musicians who want a bit more control. Generative audio is incredible for exploration, and that spontaneity is the heart of Suno. I’m curious how Studio might offer gentle ways to guide the model when someone has a clearer idea in mind, without losing that playful generative feel.
TWO
An Individuality Engine
Every artist’s identity comes from years of decisions: what they choose to listen to, skip, imitate, or reject. How does one translate those micro-decisions (taste data) into a model that preserves individuality instead of standardising it?
THREE
Post WMG deal: Remixing & more
Zedd recently said that one of the fastest ways for a musician to get noticed is by reshaping a song everyone already knows. For non-musicians, that same familiarity is what makes creation fun in the first place. Giving people simple ways to remix a track, tweak its vibe, or adjust the lyrics could make AI music feel intuitive and playful, without having to start from scratch.
FOUR
Solving sonic vocabulary/education
People often know what they like sonically but don’t have a vocabulary for it - even musicians. A tool that teaches users how to describe sound, could massively expand creative ability and unlock better prompting.
FIVE
API Play
Beyond new product categories, an API could bring Suno’s creation tools directly into the places everyday users already make content like YouTube, Instagram, or TikTok. It’s a natural way to reach non-musicians who already need music for their videos, introduce them to AI-generated tracks in a familiar setting, and ultimately send more confident creators back to Suno when they want to generate music specifically.
SIX
Real-time collaboration
Figma showed how transformative real-time co-editing can be. Music still lacks that. No DAW lets collaborators write, arrange, and refine the same track simultaneously without file-sharing headaches. A real-time layer would make remote sessions natural and help ideas move at the speed of conversation.
About me
Over eight years in product design and two in product management, building zero to one products.
Strategic Mindset: PM + Design
As someone who can create a product from vision to design to vibe-coded prototype, founders have often relied on me running my own charter as a PM+Designer.
High Ownership Environements
All of my roles, from Haptik to HackerRank, have been high-ownership ones where one takes responsibility end to end. That’s where I thrive the most too.
Music Making Experience (LogicPro)
I spent about a year making music full-time, teaching myself Logic Pro and songwriting, and ended up creating 17 songs and demos. I also play keys and acoustic guitar, so I understand a musician’s workflow and the frustrations that come with it.
Exactly 10 years ago
2015 - Shipped my first music app.
2025 - Hoping to help shape how the world makes and hears music.
I’d Love An Opportunity to Contribute
Call me, (not) maybe
www.jagratdesai.com
jagratdesai.work@gmail.com
http://linkedin.com/in/jagrat/
Every application deserves a soundtrack
PS: I used a YouTube link instead of embedding directly from Suno so the lyrics display while the song plays.